Tatiana Krylova is a Russian-born artist currently living and working in Germany. Her practice combines abstract expressionism, photography, installation, printmaking, and experimental media.
Born in Nizhny Novgorod in 1967, she studied at the S.M. Kirov Medical Institute before turning to contemporary art. From 2001 to 2003, she attended the School of Contemporary Art “Free Workshops” at the Moscow Museum of Modern Art (MMOMA), where she later continued studying video art, graphics, and photography.
Born in Nizhny Novgorod in 1967, she studied at the S.M. Kirov Medical Institute before turning to contemporary art. From 2001 to 2003, she attended the School of Contemporary Art “Free Workshops” at the Moscow Museum of Modern Art (MMOMA), where she later continued studying video art, graphics, and photography.
In 2003, together with Katerina Reznichenko, she co-founded the art group SPIS (Union of Sand and Scoop). The group participated in major Russian and international contemporary art exhibitions, including the Moscow International Forum of Artistic Initiatives, Art-Klyazma Festival, the International Biennale of Graphics White Nights, and the Printmaking Festival of Évora (Portugal).
Her works and installations were exhibited at the Moscow Museum of Modern Art, Maly Manege, the National Centre for Contemporary Arts (NCCA), the Moscow House of Photography, the State Russian Museum, and the M’ARS Center for Contemporary Art in Moscow. Several works are held in the collections of the Moscow Museum of Modern Art and the M’ARS Center.
Her works and installations were exhibited at the Moscow Museum of Modern Art, Maly Manege, the National Centre for Contemporary Arts (NCCA), the Moscow House of Photography, the State Russian Museum, and the M’ARS Center for Contemporary Art in Moscow. Several works are held in the collections of the Moscow Museum of Modern Art and the M’ARS Center.
”Items”
Project of SPIS Group, together with Katerina Reznichenko
In 2025, she participated in the contemporary art exhibition ARAMI 2025 — L’art d’aujourd’hui en Val d’Oise in France.
The theory of Vladimir Sterligov is close to her through its understanding of the world as a living and constantly changing space built upon the inner tension of form, movement, and color. In her works, she combines this plastic language with personal migrant experience, using curvilinear structures to convey anxiety, rupture, hope, and the search for a new inner balance.
The theory of Vladimir Sterligov is close to her through its understanding of the world as a living and constantly changing space built upon the inner tension of form, movement, and color. In her works, she combines this plastic language with personal migrant experience, using curvilinear structures to convey anxiety, rupture, hope, and the search for a new inner balance.
